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課程名稱 |
新馬克斯主義的美學理論上
THE AESTHETICS THEORY OF NEO-MARXISM： LUKACS AND ADORNO(1) |
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開課學期 |
98-1 |
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授課對象 |
文學院 哲學研究所 |
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授課教師 |
陳文團 |
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課號 |
Phl7663 |
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課程識別碼 |
124EM3501 |
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班次 |
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學分 |
2 |
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全/半年 |
全年 |
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必/選修 |
選修 |
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上課時間 |
星期二3,4(10:20~12:10) |
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上課地點 |
哲研討室一 |
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備註 |
本課程以英語授課。D斷代。
總人數上限：20人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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課程概述 |
In the 19th Centurty, under the motto of arts for arts, aesthetics, the foundation of arts, has been separated from politics and social activities.
For the Marxists, aesthetics, ever since Plato, is closely connected with politics. Thus, the critique of politics must begin with the critique of arts, and the restoration of a just society can be possible only if a rediscovery of aesthetics in the people or the absolute class.
Georg Lukacs’ Theory of Novel (1911) explores the Marxist critique of arts as the ideology of the oppressor-class, and tries to rediscover the roots of arts (novel)ij the class consciousness.
Theodor Adorno’s Aesthetics Theories attempts to break up the traditional bourgeois and rational aesthetics, and to bring back the sense of freedom in creative arts.
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課程目標 |
To offer to the students of M.A. and Ph.D. a deep understanding of the questions of aesthetics of two of the most reknown Neo-Marxists in the 20thy century: Georg Lukacs and Theodor W. Adorno. |
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課程要求 |
- Absolute honesty in paper-writing is required.
- Plagiarism is intolerable. Plagiarist will be dismissed from class.
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
The First Semester: Georg Lukacs
Reading Texte: Georg Lukacs, A Theory of Novel
The Second Semester: Theodor Adorno
Manual Texte: Th. Adorno, Aesthetics Theory
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參考書目 |
Main References:
Manuals: The detailed Contents of each Chapter and subject will be distributed to all participants during the Class.
First Semester
References:
Georg Lukacs, A Theory of Novel
Georg Lukacs, Hegel
Georg Lukacs, History and Class Consciousness
Jean-Paul Sartre, Theory of Romans
M. Horkheimer and Th. Adorno, The Dialectic of Enlightenment
Herbert Marcuse, The Aesthetic Dimension
Janet Wolff, Aesthetics and The Sociology of Art
Gianni Vattimo, The End of Modernity
Further references and selective papers will be given during the course.
Second Semester
References:
Max Horkheimer and Thodor Adorno, The Dialectic opf Enlightenment
Herbert Marcuse, The Aesthetic Dimension
Th. Adorno, Philosophy of Modern Music
Th. Adorno, Beethoven
Walter Benjamin, Illuminations
Juergen Habermas, The Philosophical Discourse of Modernity
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
Participation |
30% |
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2. |
Paper-presentation |
30% |
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3. |
Final Paper |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
9/15 |
Introduction |
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第2週 |
9/22 |
Introduction |
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第3週 |
9/29 |
The First Chapter |
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第4週 |
10/06 |
The First Chapter |
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第5週 |
10/13 |
The Second Chapter |
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第6週 |
10/20 |
The Second Chapter |
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第7週 |
10/27 |
The Third Chapter |
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第8週 |
11/03 |
The Third Chapter |
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第9週 |
11/10 |
The Fourth Chapter |
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第10週 |
11/17 |
The Fourth Chapter |
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第11週 |
11/24 |
The Fifth Chapter |
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第12週 |
12/01 |
The Fifth Chapter |
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第13週 |
12/08 |
Lukacs: From Hegel’s View of Aesthetics to Marxs’s Critique of Class Aesthetics |
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第14週 |
12/15 |
Lukacs: From Hegel’s View of Aesthetics to Marxs’s Critique of Class Aesthetics |
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第15週 |
12/22 |
Aesthetics and Class-Consciousness |
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第16週 |
12/29 |
Aesthetics and Class-Consciousness |
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第17週 |
1/05 |
Oral report and final written report |
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第18週 |
1/12 |
Oral report and final written report |
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